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A Trading Desk View Of Market Quality

RRP $24.99

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This book is based on A Trading Desk s View of Market Quality, a conference hosted by the Zicklin School of Business on April 30, 2002. The text includes the edited transcripts of each panel as well as separate presentations by two distinguished industry officials, Joel Steinmetz, who at the time was Senior Vice President, Equities, Instinet Corporation, and Laura Unger, formerly Acting Chairperson and Commissioner of the U.S. Securities and Exchange Commission. This book is not simply a historical record of the conference. It is also an exposition of the complex issues raised by the industry experts and speakers in attendance. Therefore, we introduced new material from foll- up interviews with many of the panelists so that the final result would be a more valuable document. Our intention was to examine the discussions with a critical eye, then modify or expand various sections to reflect contemporary conditions. In addition, we have included a paper by Ozenbas, Schwartz and Wood (see Chapter 8, page 151) that provides further analysis on the connection between market quality and intra-day 1 volatility that was noted several times during the conference. During the production process, we worked with the panelists, and took pains not to put words in their mouths. They have all approved the final draft of the manuscript, and we thank them for their assistance and patience."


Lauren Bacall Shares A Limousine

RRP $18.70

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LAUREN BACALL SHARES A LIMOUSINE celebrates women--famous, infamous, the fictional and the footnote, from Frida Kahlo to a Civil War soldier to the mother of Louis Braille to Mata Hari to Dorothy of Oz to Janis Joplin, and many more--in this irresistible and overflowing fountain of witty, sparkling and sensitive poems in voices. Poet Susan J. Erickson seemingly absorbed all the fascinating biographies and telling details of these women's lives, then spilled out poems that brim with memorable metaphor and insight. I'm reminded how profoundly and efficiently a poem can express human experience, and that women's experiences, never doubt it, are boundless.

--Kathleen Flenniken, author of PLUME

In LAUREN BACALL SHARES A LIMOUSINE, Susan J. Erickson reinvigorates the tradition of the dramatic monologue. "I sit still," reflects Lucy, the wife of John James Audubon, during a silhouette cutting. "The scissors know only / the shape of what is, / not what will be." Explaining her love for F. Scott Fitzgerald, his wife Zelda recalls, "Because he moved with the grace of a fencer / dueling with his shadow." But the women of these pages are more than wives; they are pilots and prisoners of war, makers and musicians, actors and artists. One of several standout ekphrastic sequences invokes Georgia O'Keeffe's sense of the Southwest landscape: "a place that picks clean / the gristle and fat of regret." Equally inventive is the collection's play with occupying outside texts--Zelda's "recipe" for bacon and eggs, Marilyn Monroe's self-portrait as the menu items at Schrafft's--and received forms such as the abcedarian and the pantoum. Erickson has a gift for arresting openings, as when "Emily Dickinson Introduces Her Blog" "Propelled by chance's cosmic pull / This Thing called Internet / Allows me from my garret space / To publish this gazette." Clever, haunting, voluptuous, and nervy in turn, these poems challenge our understanding of womanhood across two continents and three centuries.

--Sandra Beasley, author of I WAS THE JUKEBOX and COUNT THE WAVES

In Susan J. Erickson's highly-crafted collection of poems, LAUREN BACALL SHARES A LIMOUSINE, we return to the women who came before us. From the well-known Frida Kahlo and Marilyn Monroe to the lesser-known Monique Braille and Lucy Audubon, these poems offer surprise, delight, and poignancy. Erickson's sharp sense of play and imagination is her signature on these poems--the Venus de Milo dresses for a Halloween party, the Little Mermaid joins the Aquatic Arts Academy. The reader is rewarded with every turn of the page as the lives (both real and imagined) are spoken, explored, and expanded. Here, women stretch in the spaces "of the calm and chaos of sunrise and sunset, / the shimmer of amber, / the roar from the lion's mouth." Smart and accessible, these poems satisfy our desire for stories, and Erickson doesn't disappoint. Recommended for every bookshelf.

--Kelli Russell Agodon, Author of HOURGLASS MUSEUM & THE DAILY POET



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